How to Dance the Tango

Learning to tango is not easy and requires the right skills and teacher. But the basics can be learned on your own and you can start learning by yourself.To begin,read on and soon you will master this elegant and romantic dance. Once you've mastered it, you could teach it to others as well!

Start with the embrace

 This is numero uno when it comes to the tango. The embrace is physically simple, sure, but it must also be sensual, loose but firm, and poised. Generally speaking, both parties mirror each other.

• Partner A (typically the man, though we'll try to be as astereotypical as possible) raises his (that sure lasted a long time) left hand and wraps his right arm around his partner, placing his hand on her back, centered slightly below her shoulder blades. Partner B then raises her right hand to partner A's left and places her left arm around B, with her hand on the center of his back, as well.

Maintain perfect posture.

It may have started out in the poorer barrios of Argentina, but that doesn't mean that it hasn't evolved since. In order to give tango its proper due, you must dance with the correct posture. That means your head held high, your spine straight, your core strong and chest lifted, and confidence oozing from your body language.

• With the wrong posture, not only will you look a little ridiculous, but you also risk injuring your partner. Imagine if you're all slumped over, forcing them to arch their back in abnormal ways and to step around your slightly-pigeon-toed feet like they're walking on eggshells. That's a quick way to get rid of any prospective partners!

Practice the basic step alone first.

Before you get going with a partner -- especially if you're leading -- it's important to know the basic step. Imagine going into gym class in a mini-skirt and high heels! No thank you. You gotta be a little prepared for this kind of thing.

• For both parties, remember this: slow, slow, quick, quick, slow. But for the leader, here's your five steps:
• Forward with your left
• Forward with your right
• Forward with left
• To the right with your right
• Feet together, moving left to meet right. That's it! Repeat!
• For the partner following (you're just mirroring):
• Backward with your right
• Backward with your left
• Backward with your right
• To the left with your left
• Feet together, moving right to meet left. Ta da! Repeat.

When you're ready, work with a partner.

There's obviously more to it than slow, slow, quick, quick, slow, but that's the gist of it. Once you have that down and can do it in a counter-clockwise circle, grab someone to work with. Whether you're leading or following, feel their presence and flow with them. Otherwise you're dancing near each other, not with each other.

• Experiment with different partners. Some will naturally be easier to work with than others. Certain styles just mesh together better than others. And, of course, if you can find someone who's a bit better than you, learn from them.

Try progressive rocks.

In American style tango, progressive rocks are where you rock back and forth moving your weight from foot to foot instead of taking a step. So in the basic step we talked about, instead of quick, quick being two steps in one direction, it's one step and then rocking your weight forward. Clear as mud, yeah.

• If you're leading, you're taking a two steps forward on quick, quick. Instead, take one step forward, and then throw your weight back onto your back foot (without moving it). If you're following, it's the opposite: step back on quick, and then move your weight forward on the second step.

Corté

With progressive rocks and cortés, you can get two moves in one. The corté is the same as a progressive rock but on the first two steps (slow, slow). To give it more oomph, make sure your strides are long and fluid.

Add swivels and turns.

Now have you and your partner facing the side -- this is called the promenade. Instead of thinking forward and back, you're thinking to the left or right. This way you can add in swivels and turns. In most tango forms, the follower (or woman) does most of the dirty work, but men can get in on the action, too!

• Let's say, as partner B, you take two steps to the right (slow, slow). Immediately after that second step (and before the third), throw your torso to face the left. Then you resume moving backward. Swivel check!
• For turns, the leader turns toward his partner 180 degrees on the first quick step and the one following steps between his feet. Now we're getting fancy.

If you're a leader, plan ahead.

It would seem like leading is easier -- being able to read someone's mind is no easy feat -- but leading has its own perils, too. You always have to plan a step ahead and know where you want the dance to take you. So while you're working your way around the circle, think 8 steps into the future.

If you're following, feel your partner's weight.

You get to have the peace of mind that you just have to go with the flow. But going with the flow can be a little disconcerting if you don't trust. The easiest way to know that you're capable of depending on your partner is to feel their weight. Feel where it's going. Feel where it is between the moves. Balance with them. It'll take you with it.

Know that there's beauty in simple. 

You can do all the fancy moves you want, but if you and your partner don't have that synchronicity, that gel, that essence is the tango, it doesn't matter. Don't feel pressured to spice it up. Stick to what you feel. Keep it simple, master the simple, and the rest will come.

• Have you ever seen an old couple that just walks a simple dance together? How moving it is because you can see how they just get it? That. That is what you're aiming for.

Find a teacher that focuses on dance technique and not on memorizing steps and patterns.

The teacher should be able to dance both lead and follow so he/she can teach you both how to do it and how it feels for your partner. Try to find a class that has a dozen or so people so you have a few partners to work with but still can seek individual attention.

• There are three types of tango: Argentine tango, International Ballroom tango, and the American Ballroom tango. Argentine tango has become quite popular because of its free form, ad-lib steps and greater focus on the woman. Many amateur groups exist to teach and promote it.

Rock the circle.

Whether you're in class or at a party, the tango generally happens in a circle. There are a couple things to know:

• It moves counter-clockwise. You don't have to worry about turns, swivels, or anything fancy -- just know that you're moving counter-clockwise.
• Generally speaking, the better tango-ers take larger steps and dominate more space. The less-confident dances end up getting relegated to the center of the circle, all smushed in by the more audacious dancers. Don't let this happen to you!

Attend Milongas or tango dance parties to show off your skills!

If you go alone, find a partner to have a "cabeceo" with. However, you don't ask; you simply make eye contact. If you meet eyes, you smile or nod. If they don't meet your gaze, move on. It's less intrusive and doesn't leave one party pressured to say yes.

• Generally, a round, or "tanda," is 4 dances. So if you're not sure you want to dance with this person for 4 dances, ask them on the 2nd or 3rd.

Be patient.

The tango requires balance and the willingness to learn. At first there will be a heck of a learning curve, but trust that it will go away. The steps will come. You'll step on a few toes, but they'll heal. If you keep with it, you'll only get better.

• The tango is not a dance that can be learned in one evening or with one lesson. That is what makes the tango so much fun! There is so much to learn -- it can take you your whole lifetime to learn and understand the tango. But don't let that discourage you; let it intrigue you. When you've mastered it, you've mastered an art.

TIPS:- 

• Your instructor should be well versed in all three major Argentine Tango styles: Salon, Apilado (aka: Milongero) and Tango Nuevo. If they only dance one style, find yourself a different instructor. Why let them decide how you should dance before you figure out which one you like best?
• Learn from different instructors. Do not limit yourself to only learning from one person the whole time. Try an instructor out before you make a financial commitment. You might find out that you do not like the personality or the style of the instructor at all.
• Pick instructors who teach in couples. They are better able to meet your needs. A man might be able to lead you, but only a woman will help you become an excellent follower and vice versa.
• Make sure you wear comfortable clothes that allow you to move easily.
• If you decide to focus on the Argentine Tango, learn the difference between Apilado, Salon, and Fantasia/stage tango.
• Don't mistake American Tango for Argentine Tango. That will cause confusion and embarrassment. Tango originated in Argentina as a beautiful and intimate social dance. The ballroom movement took elements of it and turned it into another ballroom dance creating the American Tango.